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Burning Bright: A Novel, by Tracy Chevalier
PDF Ebook Burning Bright: A Novel, by Tracy Chevalier
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From the author of At the Edge of the Orchard comes a stirring eighteenth-century coming-of-age tale
Tracy Chevalier, author of the international bestseller Girl With a Pearl Earring and the forthcoming At the Edge of the Orchard, another brilliantly rendered historical tale set in the waning days of eighteenth-century London. Poet, artist, and printer William Blake works in obscurity as England is rocked by the shock waves of the French Revolution. Next door, the Kellaway family has just moved in, and country boy Jem Kellaway strikes up a tentative friendship with street?savvy Maggie Butterfield. As their stories intertwine with Blake?s, the two children navigate the confusing and exhilarating path to adolescence, and inspire the poet to create the work that enshrined his genius.
From the Trade Paperback edition.
- Sales Rank: #513625 in eBooks
- Published on: 2007-03-20
- Released on: 2007-03-20
- Format: Kindle eBook
From Publishers Weekly
Author of Girl with a Pearl Earring, set in the home/studio of Vermeer, and other novels, Chevalier turns in an oblique look at poet and painter William Blake (1757–1827). Following the accidental death of their middle son, the Kellaways, a Dorsetshire chair maker and family, arrive in London's Lambeth district during the anti-Jacobin scare of 1792. Thomas Kellaway talks his way into set design work for the amiable circus impresario Philip Astley, whose fireworks displays provide the same rallying point that the guillotine is providing in Paris. Astley's libertine horseman son, John, sets his sights on Kellaway's daughter, Maisie (an attention she rather demurely returns). Meanwhile, youngest surviving Kellaway boy Jem falls for poor, sexy firebrand Maggie Butterfield. Blake, who imagined heaven and hell as equally incandescent and earth as the point where the two worlds converge, is portrayed as a murky Friar Laurence figure whose task is to bind and loosen the skeins of young love going on around him—that is, until a Royalist mob intrudes into his garden to sound out his rather advanced views on liberty, equality and fraternity. While the setting is dramatically fertile, there's no spark to the dialogue or plot, and allusions to Blake's work and themes are overbaked. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Tracy Chevalier's latest novel paints a colorful, compelling portrait of 18th-century London: the teeming streets, bawdy pubs, filthy factories, working-class homes, and the political unease generated by the French Revolution. Yet setting alone doesn't create a novel, and critics agree that Burning Bright lacks a compelling set of characters and, for the most part, devolves into a formulaic plot. The biggest problem is Blake himself: Chevalier never manages to successfully connect him to the young protagonists' adventures; nor does she capture Blake's psychological contradictions and depth. Entertainment and history lite, this novel "isn't exactly burning bright," concludes the Philadelphia Inquirer.
Copyright © 2004 Phillips & Nelson Media, Inc.
From Booklist
Chevalier made a considerable popular and critical splash with her 2000 novel Girl with a Pearl Earring, based on seventeenth-century Dutch painter Vermeer's model for his painting of that name. It was a precise, elegant evocation of Renaissance Delft, and readers who expect the same kind of atmospheric reconstruction of place in her new novel will not be disappointed; eighteenth-century London, from its shadier neighborhoods to its more elegant areas, arises from these pages in all its cacophony. But where the previous novel moved speedily, this one bogs down in plot inertia. The premise: a family of very modest means moves to the British capital from the countryside; the father of the family, a chair maker, has impressed circus impresario Philip Astley, during his tour of the counties, with his abilities and consequently received an invitation to come to London to join the circus as builder of all sorts of things. This family tale settles for the most part on the shoulders of the two youngest children, a boy and a girl, and a girl they befriend, who introduces them to the byways of the great metropolis. A neighbor of the new-to-the-city family is the famous real-life poet William Blake, but his role in the story never seems to gel. Regardless of its drawbacks, expect considerable demand. Brad Hooper
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
81 of 88 people found the following review helpful.
a strong message
By Richard Cumming
Chevalier sets her sights on the poet, mystic, and engraver William Blake in London during the year 1792. Blake is an odd duck. The story is told from the viewpoints of some neighbors, in particular, two families, one recently moved from the country (the INNOCENT) and a streetwise and hardened family (the EXPERIENCED).
Thus we have the metaphor for Blake's great work SONGS OF INNOCENCE AND EXPERIENCE. The French Revolution was underway and King George was terrified that his subjects would rebel against him. Mobs circulated collecting signatures on loyalty oaths. This excessive and intimidating barrage of bogus patriotism is eerily reminiscent of some of the things we saw in this country after 9/11. Do you remember all the cars with flags?
It's a lovely story and she tells it well. Is it GIRL WITH A PEARL EARRING? No. Should it be? No. An author should not have to wear her most successful book like a millstone around her neck.
Enjoy it for itself.
46 of 48 people found the following review helpful.
Story falls flat
By Amazon Customer
I finished this book quickly, it held my attention well enough but I kept waiting for the plot to "kick in" and it never did. The ending was a complete let down. In fact, after I read the book, I kept wondering what the point of the book was-it really wasn't about William Blake who was portrayed as more of a backdrop. It just seemed to be a a year's chronicle of a small section of neighbors in London preceding the French Revolution. Other than Maggie, the characters were flat and somewhat undeveloped...you wanted to know and care about them, but it just never happened. Extremely disappointing book from a very good writer.
20 of 20 people found the following review helpful.
What's in the middle?
By Linda Pagliuco
Tracy Chevalier is a skilled writer whose novels have all been historical, built around a famous personage from the chosen time period. In Burning Bright, that person is William Blake, the rather mystical English poet/philosopher/engraver, but his presence is intermittent. This novel focuses upon two late-18th century London families, one newly arrived from Dorset and the other more established. Both are poor, struggling to get by, and the plot is built around the adolescent children of these families. Characterization is one of Chevalier's strengths, and Maisie, Jem, and Maggie quickly charm the reader, while others, notably John Astley (the dastardly villain of the piece), Charlie, and the bigoted landlady. Circus folk, pub denizens, washerwomen, and the like add plenty of dash and color. A feel for life in London during the French Revolution quickly develops. Thematically, the concepts of opposites, the conundrum of what's in the middle of each opposing pair, and the drive toward symmetry, are all recurrent ideas, taken from Blake's own work.
Burning Bright provides hours of intelligent, pleasurable, and at times, thought provoking reading.
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