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• Sales Rank: #2112881 in Books
• Published on: 2012
• Number of items: 1
• Binding: Paperback

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• Published on: 2015-08-25
• Released on: 2015-08-25
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .38" w x 8.50" l, .86 pounds
• Binding: Paperback
• 168 pages

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Challenging the popular myth of a present-day 'information revolution', Media Technology and Society is essential reading for anyone interested in the social impact of technological change. Winston argues that the development of new media forms, from the telegraph and the telephone to computers, satellite and virtual reality, is the product of a constant play-off between social necessity and suppression: the unwritten law by which new technologies are introduced into society only insofar as their disruptive potential is limited.

• Sales Rank: #1032051 in Books
• Published on: 1998-05-31
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .89" w x 6.14" l, 1.20 pounds
• Binding: Paperback
• 392 pages

Review
"In this widely researched history of communication and information technologies, from the printing press to the Internet, Brian Winston argues that the development of new media forms, from the telegraph and the telephone to computers, satellites, and virtual reality, is the product of a constant play-off between social necessity and suppression: the unwritten law by which new technologies are introduced into society only insofar as their disruptive potential is limited. Winston's monograph asks difficult questions: How are new media born? How do they change? Moreover, how do they change us? He concludes that the information Revolution is not revolutionary. Current technologies are merely elaborating a process of change begun much earlier, and historical study of these alterations offers many insights into the potential effects of today's latest developments."
-American Association for History and Computing Prize for the Best Book of 1998
"Winston's notes should not be missed; they contain historical nuggets and comment on the main text. A valuable history illuminated with a unique and insightful model applicable to other fields. Highly recommended as a replacement for the earlier volume."
-"Choice, 3/99
"With an impressive breadth of scholarship, the author makes an effective case...this book should provide a healthy counterweight to the hyperbole that currently surrounds talk and writing about the 'Information Age'."
-"American Studies

About the Author
Brian Winston is Professor of Media at the University of Westminster. He is the author of Claiming the Real (1995) and Technologies of Seeing (1996).

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1 of 17 people found the following review helpful.
Unreadable except by communications academics
By A Customer
This book is targeted at an academic audience and not at the general reader - and the academic area is not networking but human communications. If you're looking for a readable history of networks (including the Internet), look elsewhere.

7 of 7 people found the following review helpful.
Read the Back Cover, Folks
By A. Galt
I loved this book. I first read it shortly after it was published, and since then it has stuck with me as the definitive and useful explanation for how and why media technologies are embraced by the general public. I'm writing largely because I find the two negative reviews annoying. Giving a book a bad rating solely because it didn't contain what you thought that it should contain is not useful to anyone. This book is a social history of media technology, something that it very clearly spells out both in its title and in the blurb on the back cover. And of course it's an academic book! It was written by an academic, published by an academic press, and intended for an audience familiar with the linguistic theories of Noam Chomsky (who's more than just a cranky critic of US foreign policy).

37 of 41 people found the following review helpful.
EXCELLENT PIECE OF RESEARCH & ANALYSIS
By Azlan Adnan
This book won the 1998 Best Book Award by the American Association for History and Computing. It not only provides a comprehensive account of the history of electronic communications from telegraphy to the Internet, but also offers a model with which to understand the processes of change in the technologies of communication.
The purpose of book is not only to explicate a fuller account of what actually occurred in the telecommunications past but also to offer an interpretation, necessarily synthetic and revisionist, of those occurrences. The model offers an understanding of the history and the current position of communications in our culture. This understanding is not solely dependent on the performance of technology, but is also heavily dependent on an examination of the operation of the social necessities and constraints.
Brian Winston's fascinating account challenges the popular myth of a present-day `information revolution' in communications technology by highlighting the long histories of such developments. The fax was introduced in 1884. Digitalization was demonstrated in 1938. Even the concept of the `web' dates back to 1945.
In Part I, the author applies the model to the electrical systems of communication, the telegraph and the telephone. Then, in Part II, radio and television are dealt with. Part III is concerned with computing while Part IV looks at the whole development of electrical and electronic networks from the telegraph to the Internet. The conclusion suggestions, via a consideration of the current state of research into holography, that the model is still valid.
This book is essential reading for anyone interested in the social impact of technological change.
Brian Winston is Head of the School of Communication, Design and Media at the University of Westminster, the world's leading school of media and communication studies. He was previously Dean of the College of Communications at the Pennsylvania State University, Chair of Cinema Studies at New York University and Founding Director of the Glasgow University Media Group. As a television professional in the UK, he has won an Emmy for documentary script-writing.
Reviewed by Azlan Adnan. Formerly Business Development Manager with KPMG, Azlan is currently Managing Partner of Azlan & Koh Knowledge and Professional Management Group, an education and management consulting practice based in Kota Kinabalu. He holds a Master's degree in International Business and Management from the University of Westminster in London.

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In an age of slick, computer-generated type and Photoshopped perfection, hand-drawn packing is enjoying a global resurgence. As shorthand for something more authentic, homegrown, handmade, or crafted, hand-drawn packaging is found on everything from supermarket eggs to Chipotle drink cups. In this exhaustive and lavishly illustrated survey, organized by four types—DIY, art, craft, and artisanal—Gail Anderson pulls back the curtain on the working processes and inspirations of forty letterers, illustrators, and designers from all around the world through insightful interviews, process sketches, and her infectious love of the medium.

• Sales Rank: #166088 in Books
• Published on: 2015-10-06
• Released on: 2015-10-06
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.00" w x 8.00" l, .0 pounds
• Binding: Paperback
• 256 pages

Review
"This belongs in the library of every design firm, packaging company, design class, and advertising agency." -Manhattan Book Review

""In addition to the visual playground-featuring work by Pentagram, Sagmeister & Walsh, Jon Contino, Louise Fili, Daniel Pelavin, Dana Tanamachi and many others-the book offers strong commentary from the makers whose work is featured throughout." -Print

"...a satisfying little compendium of hand-drawn packaging design that spans many media and provides an undeniably refreshing counterpart to the slick, all-digitial work that dominates the shelves of our stores." -Graphics.com

".shows how a twist of a talented wrist helps basic packaging transform into alluring, intriguing design specimens." -Gizmodo

About the Author
Gail Anderson is a graphic designer, educator, and writer. She has co-authored eight books with Steven Heller, and is the recipient of the AIGA Lifetime Achievement Medal. Anderson teaches at the School of Visual Arts in New York City, and is a partner at Anderson Newton Design.

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0 of 0 people found the following review helpful.
Developing page layouts and conceptual thinking already starts by hand, so why stop there?
By N. Wu
The act of drawing, sketching and lettering by hand is enormously popular, as Pinterest and Instagram feeds have evidenced. It’s a refreshing, cheap break from solid computer work that can be integrated back into digital design via Photoshop and other e-tools. The feeling of brisk experimentation, exploring new challenges, creative discoveries, and just doing things for the love of it versus following specific directives, is both cathartic and fulfilling from a personal growth perspective. It also brings forth a unique human identity, voice or personality to the creative product. Leaving one’s own imprint is what many strive to do, moreso in this DIY age where anonymous workers of big corporations diligently build with almost no acknowledgement or notice.

Developing page layouts and conceptual thinking already starts by hand, so why stop there? This enjoyable, image-heavy collection of international packaging case studies (with a foreword by the always memorable and reflective Debbie Millman), covers a delightfully diverse range of handdrawn styles and techniques from graphic designers, illustrators and lettering artists alike. Four categories are covered, ranging from the spontaneity of DIY and the looseness of ART, to heightened details found in CRAFT and the obsessively intricate complexities of ARTISANAL works.

The best part are the numerous close-up process sketches, explorations and developmental moodboards shared at length, along with backstories of how these diverse projects came together in their own way. In some cases, photos documenting drawing, painting and lettering processes are shown with support illustration or sketches where applicable. I appreciate how the personality of each letterer’s hand was retained right to the final product, as well as some exhaustive variations that were vital to informing what the final outcome would or should become. Some might see it as a waste of time and energy to work so broadly from a design development standpoint, but every sketch is beautiful in its own way and deserves its time in the sun, especially in this manner.

And if that wasn’t enough, the book concludes with a not so little section titled, “Inside Outside the Box” with 7 pages of author Gail Anderson and Joe Newton’s super-tight lettering for the book’s four title spreads. I’d be hard-pressed to choose my favourite single version of each word, as they’ve skillfully and artfully demonstrated that although one may be a front-runner for each concept, there's always more than one way to solve a design problem. So rather than hunt around for the perfect typeface or font for your design problem, the solution might be right at hand. Or left. Or both, if you’re ambidextrous.

0 of 0 people found the following review helpful.
Wonderful collection of hand-drawn projects and how they were created!
By Amazon Customer
Absolutely loved it! A wonderful range of hand-drawn projects that I have been referencing lately and using as design inspiration. I personally love progress shots and find the evolution of a project to be the most interesting part, and this book is chock full of early sketches and ideas by the designers. SUPER inspiring!

0 of 0 people found the following review helpful.
Five Stars
By Daniel Zimmer
A wonderful new book filled with inspiring sketches and designs. Any fan of hand-lettering will enjoy this one.

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• Sales Rank: #4047437 in Books
• Published on: 1987-01-31
• Original language: English
• Number of items: 1
• Dimensions: .0" h x .0" w x .0" l, .0 pounds
• Binding: Hardcover
• 301 pages

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[A608.Ebook] Download PDF Songwriting Step by Step, by Aaron Cheney

Download PDF Songwriting Step by Step, by Aaron Cheney

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Songwriting Step by Step, by Aaron Cheney

Download PDF Songwriting Step by Step, by Aaron Cheney

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If you are an aspiring musician, poet, or wordsmith that has ever wanted to write a song, or if you want to write better songs, this book will be lead you step by step through the songwriting process and help you to discover tricks and techniques for creating powerful, memorable lyrics and music. Aaron Cheney introduces each new principle with easy to follow and entertaining explanations. Every page is jam-packed with great information for the beginner and pro alike!

• Sales Rank: #3476049 in Books
• Published on: 2012-12-18
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .23" w x 5.50" l, .30 pounds
• Binding: Paperback
• 100 pages

About the Author
Aaron Cheney is an award-winning songwriter, a guitarist, an artist, and an author. His songs run the gamut from country to heavy metal and have been recorded by artists across the country. His teaching experience includes courses in songwriting, music history, and music psychology. Aaron currently plays guitar in a band and lives with his wife, Kathy, in the Seattle, Washington area.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Step by Step Guide to Success
By Jem
The Songwriting Step by Step Guide to Success is a wonderful, informative book. It is interesting and easy to read. My teenage daughter is interested in reading it next. Since reading it, I've found myself listening to the radio, identifying the elements of the songwriter's craft that makes the song successful.

See all 1 customer reviews...

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