Senin, 22 April 2013

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Dental Instruments: A Pocket Guide to Identification is a pocket guide for dental assisting students for quick reference and review of dental instruments, their uses, their placement on a tray, and their different varieties. This pocket guide is used while in clinical courses, during clinical internships, as a review companion to clinical courses, and is a resource for students to take with them to their first job. Unique to this title is the companion student resources CD-ROM in the back of the book, which provides the student with an interactive learning experience. The CD-ROM includes an image bank, interactive tray set-ups, crossword puzzles, student quizzes, and more games and activities for self-study. Dental assisting faculty has the challenge of simulating a clinical environment and making a student comfortable and confident before they are with a patient in a real clinical setting. This text with the companion CD-ROM does just that.

  • Sales Rank: #1030908 in Books
  • Published on: 2011-01-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.00" h x 7.00" w x 4.70" l, 1.10 pounds
  • Binding: Spiral-bound
  • 608 pages

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2 of 3 people found the following review helpful.
thanks!
By courtney.bagwell3
got this book for dental school, better than paying what the school wants me too. i was supposed to get this book in 2wks but i got in 5 days. very staisfied

0 of 0 people found the following review helpful.
As much as I can like studying tool this is super helpful
By Kayla
As much as I can like studying tool this is super helpful. Very organized and came in only a week.

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Kamis, 18 April 2013

[H919.Ebook] Ebook Download Translating Across Cultures: Bas 21st Annual International Conference, by Hortensia Parlog

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Translating Across Cultures is a collection of nine papers given at the 21st B.A.S./ British and American Studies conference held in Timisoara, in May 2011. They focus on translation problems that may arise at various levels, from word to translation unit, when rendering a literary, legal, economic or a hybrid text genre into a second language, as well as on some of the methodological issues raised by this process. The papers, structured in three sections, try to give answers to questions like why or what cultural elements are important when mediating between languages or cultures, what equivalence can be found for certain cultural lexical items, for certain collocations or for business metaphors in the target language, investigate the translation of the 21st century 'Newspeak', cases of lexical gaps, reveal similarities and particularly differences in the linguistic expression of various concepts, and suggest possible ways of dealing with certain difficult translation problems.

  • Sales Rank: #6024528 in Books
  • Published on: 2013-01-01
  • Format: Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.46" h x .87" w x 6.02" l, .0 pounds
  • Binding: Hardcover
  • 160 pages

About the Author
Hortensia Parlog is Professor Emerita of English language at the University of the West, Timisoara, Romania. She has published articles in the field of English phonetics and phonology, lexicology, syntax, pragmatics and translation studies, and is the author, co-author and/or co-editor of several volumes and dictionaries. They include The Sound of Sounds. Timisoara: Editura Hestia, 1995; The English Noun Phrase. Timisoara: Editura Hestia, 1995; Dictionar englez-roman de colocatii verbale. Iasi: Polirom, 2000; Instant English. Iasi: Editura Polirom, 2004; Translating the Body. Munchen: Lincom, 2007, and Iasi: Institutul European, 2009; Language in Use: The Case of Youth Entertainment Magazines. Newcastle upon Tyne: Cambridge Scholars Publishing, 2010. She is the founder and editor of the B.A.S./British and American Studies Journal. Luminita Frentiu is a Reader in the English Department, at the West University of Timisoara, Romania. She has specialized in translation studies, pragmatics, discourse analysis and English morphology. She is the author of Strategii de comunicare in interactiunea verbala, Timisoara, Editura Mirton, 2000 and Instances of Discourse Analysis, Timisoara, Editura Mirton, 2004, and has made her contribution to Dictionar englez-roman de colocatii verbale, Hortensia Parlog, Maria Teleaga (eds.), Iasi, Editura Polirom, 2000, to Instant English: English for the Baccalaureate and Entrance Examinations, Iasi, Editura Polirom, 2004, which she also edited together with Hortensia Parlog and Pia Brinzeu, and to A Journey through Knowledge, Newcastle upon Tyne: Cambridge Scholars Publishing, 2012 as co-author and co-editor

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Selasa, 16 April 2013

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Teachers Handbook for Athenaze, Book 2

  • Published on: 1600
  • Binding: Paperback

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Distance Training for Masters, by Arthur Lydiard, Garth Gilmour

One of the most significant evolutions in modern sport has been the emergence of world-class performances by master athletes. Over a wide range of sport - from golf to marathons and ironman triathlons, from swimming to football, from rowing to track & field - athletes who, in the past, would have stopped their activities in their thirties or younger, now carry on. No longer is anyone too old to compete and a whole new competitive area has opened up for sportspeople ranging in age up to their seventies.

  • Sales Rank: #1209141 in Books
  • Brand: Brand: Meyer Meyer Verlag
  • Model: 1080677
  • Published on: 2000-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.28" h x .43" w x 5.79" l, .65 pounds
  • Binding: Paperback
  • 136 pages
Features
  • Used Book in Good Condition

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6 of 6 people found the following review helpful.
Simple, Straight Forward Lydiard - Even Addresses Current Trends
By Daniel Hurley
I give this book 5 stars because although the book is roughly 10 years old, it still is practical, current and the training still has merit. The book, perhaps like Lydiard, is direct and is barely 100 pages. But what makes it so current even today are his discussions of topics such as over engineered shoes that weaken the feet and can actually contribute to injury and this is written almost a decade before the now classic 'Born to Run'. In addition, he describes the need to 'run tall', landing lightly on the feet with low hands relaxing the upper body that allows the runner a slight tilt, which in many ways is very similar to POSe without concern for cadence. Of course a lot of the basis of the book is the need for base training, providing a foundation for racing. The confusion years ago with Lydiard supposedly endorsing long slow distance running is a myth as although
he advocated easy days for recovery days, a lot of long runs required a significant effort, they were not slow at least not for the non-comptetive runner. The other positive I like about Lydiard's methods is the break from routine training advocating fartlex, a free play style of running and not getting addicted to intervals on the track worrying too much about numbers. He was more concerned with the quality effort over numbers. There is a lesson in all this in keeping runners engaged by variety in training. Lydiard and Gilmour advocate that speed training can be added for peak performance at the late stages to allow for peaking but that also doing so after a decent base limits injury. The book includes a lot of basics covering injuries, rehabilitation, vitamins, running shoes etc. A nice range of subjects although they may appear basic for the well read runner. I had no problem with the pictures as I am somewhat familiar with the drills and I am actually utilizing some of the drills. They are important particularly for masters runners as we all lose flexibility as we get older and these drills help the synapses maintain that ability. As to the concern about the mileage, Lydiard is most likely addressing the competitive masters runners that can endure high mileage. In all books that provide training guides, you have to modify them in accordance with your own fitness, physical tolerance, proneness to injury and of course your goals. For me, an over 50 runner, I run 30-35 miles a week and do a modified mix of these workouts that include hills for my overall fitness and to compete at the local age group race level. To get a more detailed step up further on Lydiard's training style, consider the book "Healthy Intelligent Training' by Livingston, a Lydiard disciple.

17 of 18 people found the following review helpful.
Schedule is worth the price
By kfer
This book doesn't go into detail about why you should do each of the exercises shown in the schedule, but I recommend this book anyway because the schedule for masters would be a useful guide. This is basically why I got this book.
I have read a previous book of his from '79 called Run the Lydiard Way, which gave the purpose of each of his exercises. Unfortunately this appears to be out of print, and I don't know if any other of his existing books provide the details.
For example, you do hill springing for ankle flexibily and knee lift, repetitions (time, distance, and quantity don't matter, as long as you feel tired at the end) for anaerobic capacity, leg speed and sprint training for speed and technique, 100 and 50m windsprints for sharpening and maintaining anaerobic capacity, and time trials for getting the body conditioned to running your race distance.
Some say his training concepts are outdated, but the fact is that all middle and long distance training are based on them. I have tried other schedules and have found his schedules to be the most effective for me. Some have said his 100 miles per week recommendation is outdated, but I have found his schedules will still work for you regardless of what mileage you decide to do.
Btw, fyi the 'old' man on the cover that another reviewer lammented over is an Olympic Bronze medalist (Barry Magee) in the '60 Rome Olympics, trained by Lydiard to be the fastest white man over the distance at that time.

13 of 13 people found the following review helpful.
Good stuff to jog an older memory
By Richard Belanger
This book brings out points that older runners maybe weren't aware of or had forgotten. For instance the emphasis on the high knee kick was something I did naturally when in my 20s but after taking 15 years off from running, my body just doesn't do it naturally. I've begun to really notice my form in training. The emphasis on quality running vs. high quantity for older runners is sitting very well with me. I can't do high miles per week anymore but I make sure there's lots of quality. Exercising the posterior muscles to enhance form is something I never thought of. I think we all get in the habit of developing arms and chest for our egos and forget about the back. The book is definitely a jumpstart in attitude. I just wish they used a younger looking runner to demonstrate the exercises. I feel old looking at the book's cover and knowing its geared toward me, a 44 year old. The guy on the cover must be in his 60s.

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Senin, 08 April 2013

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Fish Tails: A Novel, by Sheri S. Tepper

In her 35th novel, science fiction master Sheri S. Tepper boldly weaves together the storylines of eleven of her previous works—from King’s Blood Four (1983) to The Waters Rising (2010).

In Fish Tails, two of Sheri S. Tepper’s beloved characters—Abasio and Xulai (A Plague of Angels and The Waters Rising)—and their children travel from village to village scattered across the sparsely populated land of Tingawa. They are searching for others who might be interested in adopting their sea-dwelling lifestyle.

Along their journey they encounter strange visitors from the far-off world of Lom, characters from Tepper’s nine-book True Game series of novels—Mavin Manyshaped, Jinian Star-eye, and Silkhands the Healer—all of whom have been gathered up by an interfering, time-traveling, rule-breaking do-gooder to do one last good deed on earth before its metamorphosis is complete. For the waters are rising and will soon engulf the entire planet, transforming it utterly and irrevocably.

  • Sales Rank: #547577 in Books
  • Published on: 2015-07-28
  • Released on: 2015-07-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.44" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 720 pages

Review
“Tepper’s themes and messages are cutting, but the anger and sorrow embedded in them are delivered by the author’s enduringly optimistic humanism. This is mastery of science-fiction storytelling that could only be the result of honing over a lifetime.” (Booklist on FISH TAILS)

“One of sf’s most distinctive voices.” (Locus on Sheri S. Tepper)

“Sheri S. Tepper takes the mental risks that are the lifeblood of science fiction and all imaginative fiction.” (Ursula K. Le Guin on Sheri S. Tepper)

“Her novels are the old-fashioned kind, despite their futuristic settings; the kind that wrap you in their embrace, that take over your life, that make the world disappear.” (Village Voice Literary Supplement on Sheri S. Tepper)

“This lyrical, beautifully written novel transcends the sum of its parts to become a parable of survival and hope in hopeless times.” (The Guardian on THE WATERS RISING)

“Tepper balances pointed criticisms of our era with a calamity that appears to owe far more to Genesis than to science...the writing is slick and crafeully crafted, Xulai has plenty of pluck, and her companions possess a nearly ideal mixture of virtues, flaws, and enthusiasm for redemptive sacrifice.” (Publishers Weekly on THE WATERS RISING)

“The Waters Rising delivers a strong, complex story that poses tough questions and demands a new look at the possibilities of the future.” (Wichita Eagle on THE WATERS RISING)

“Tepper has developed a dependable following with works that have an epic fantasy feel but that ultimately reveal logically consistent scientific trappings. This work is no exception, a successful blend of dying-earth fantasy and wicked-witch fable.” (Booklist on THE WATERS RISING)

“The Waters Rising stands as a thoughtful allegory for environmentalism.” (Iron Mountain Daily News on THE WATERS RISING)

“Tepper . . . excell[s] at world-building and at creating strong and independent characters.” (Publishers Weekly on Sheri S. Tepper)

From the Back Cover

In her thirty-fifth novel—a majestic epic rich with beauty and wonder—science fiction legend Sheri S. Tepper boldly weaves together the storylines of eleven of her previous works, from King's Blood Four (1983) to The Waters Rising (2010).

In Fish Tails, two of Tepper's beloved characters—Abasio the Dyer and his royal wife, Xulai—are traveling through the scattered villages of the sparsely populated land of Tingawa. Accompanied by their young children, they seek to warn everyone of the dire ecological changes that will alter their lives and those of their children for generations to come.

The waters are rising, and will eventually inundate their world. Many of those born in the coming century will resemble their son and daughter—sea children who can live without land. Abasio and Xulai hope to find others interested in adopting their sea-dwelling lifestyle. Because before too long, there will be no other choice. A grand summation of a long and illustrious career, Fish Tails displays the extraordinary powers of invention of one of the great voices in contemporary science fiction. Sweeping in scope and vision, full of insights for our own time, it is a masterpiece of imagination, the capstone to a marvelous oeuvre.

About the Author

Sheri S. Tepper is the author of more than thirty resoundingly acclaimed novels, including The Waters Rising, The Margarets, The Companions, The Visitor, The Fresco, Singer from the Sea, Six Moon Dance, The Family Tree, Gibbon's Decline and Fall, Shadow's End, A Plague of Angels, Sideshow, and Beauty; numerous novellas; stories; poems; and essays. She lives in Santa Fe, New Mexico.

Most helpful customer reviews

13 of 14 people found the following review helpful.
A fine end to a series and a good story to boot
By DanniiM
What a curious mix of emotions.

Where to start with Sheri S. Tepper? As a novelist she’s been around since 1983, when her first book in the True Game series was published. Before creating multiple stories set in one universe was a “thing”, Ms. Tepper was doing it. From “The True Game”, to “Grass” - she crafted tales that stood on their own yet all existed together.

(Interestingly, “The True Game” wasn’t the first book she submitted for publication - the publisher had received and liked her first novel “The Revenants”, but felt it was too confusing for a debut author to lead with. They asked her to write something for the young adult audience at the time which is how we ended up meeting Peter, Jinian, Silkhands the Healer and Mavin Manyshaped.)

Which brings us back to “Fish Tails”; at times I found myself laughing, out loud. Actual laughter.
All at the delight of the absurdity of Ms. Tepper’s storytelling - and then my face was wet with just a few tears as I remembered this is our last outing together. Knowing she’s said this is her last book I’ve both enjoyed at how fast the story moved and sorrowed at how quickly the time passed.

“Fish Tails” picks up at the end of her career while taking us right back to the beginning. Her last cycle of books - “A Plague of Angels”, “The Waters Rising”, and “Fish Tails” loop back into the worlds introduced in the True Game series. (“The True Game”, “The Chronicles of Mavin Manyshaped", “The End of The Game” - The 3 omnibus editions each consisting of 3 books apiece).

Ms. Tepper knows how to write the growing discomfiture of menace; things unseen making their silent arrival. (Her horror books are worth searching out if you enjoy a good scare.) The danger the characters find themselves in feels palpable from the page. For the first 3/4 of the novel this is built, hinted at, and then somewhat abruptly - resolved.

For me this was the only shortcoming of the story - the perhaps tad too neat ending - but, being this is her goodbye to characters created some 30 years ago perhaps a little neatness that wasn’t afforded to Mavin back then is kindly given to Abasio and Xulai now.

For those of us wanting more action from Silkhands, Jinian and Mavin, we’re left wanting more. They are truly minor supporting characters here - with Abasio and Xulai (joined by newcomers Grandma, Needly and Willum) once again front and center for the narrative.

Still clearly evident is Ms. Teppers eco/feminist slant on stories. Her sorrow at the corruption of religion to put certain dogma first before all others, the willingness of humans to destroy their habitat - all are trumpeted loud and clear and often. If you haven’t enjoyed that part of Ms. Tepper’s writing before, you’re not going to like it here.

It’s never bothered me, and I always come away from her novels feeling filled up with words and ideas - “Fish Tails” being no exception.

I have read (and proudly own) every other book she has written - bought right when they came out. I’m thrilled to have this new story, and heartily recommend it if you’ve enjoyed her earlier works. If you’re completely new to Ms. Tepper you may want to start out with her amazing work “Beauty” or even “The Waters Rising” before diving into this.

From experience her characters end up residing in your head for years after you’ve long finished the novel. Take a chance and invite some of them in.

9 of 10 people found the following review helpful.
Very poor editing and not really up her usual standard at all.
By Mig Bardsley
Hard to rate this one - I would have given it 2 stars except that there's a lot of it I liked. Okay isn't quite right either - parts are as wildly and wonderfully imaginative as anything else Ms Tepper has written and other parts are pedestrian and badly structured.
Over many years, Sheri Tepper has created a universe peopled with a rich and varied cast of characters and races and a fabulous backdrop of worlds and planets illustrating her feminist and conservationist themes with a good deal of humour, compassion and outrage. And she has written a load of great stories with marvellously inventive twists and ideas.
I gather from other reviewers that this is to be her last book and it's a shame that the editing lets it down so badly. Twice I came across whole passages that had been repeated and, more often than that, occasions where people made discoveries or came to understandings that they had already discovered or understood earlier in the book.
I agree with other reviewers that in places there was more repetitious detail than was needed and I felt that the ending was blatantly contrived and fell somewhat flat. The tidying up of plot and characters was a crude and it was very disappointing to have the wonderful character of Mavin Manyshaped (from some much earlier novels) reduced to a strained plot device and a hasty tidying away to some other part of the planet.
Abasio and Xulai somehow never came to life in this book, for me. They seemed tired and jaded and indeed, often said they were. I'm afraid I felt that Ms Tepper felt a bit like that herself when she wrote the book.
Still, there were stinky giants and beautiful Griffins and clever children and delightful fish babies and a host of other interesting and enjoyable creatures and people and lots of clever ideas and complex sounding technology and that's always fun.
I wouldn't recommend this book to a newcomer to Sheri Tepper's work (though I do enthusiastically recommend most of her other books) and to another fan, I'd say read it for completeness but don't expect to be knocked out by this one.

3 of 3 people found the following review helpful.
Interesting, but flawed
By Cheryl
I really enjoy Sherri Tepper stories. Her writing is thought provoking . Unfortunately this book does not appear to have been proof read or edited adequately.

The beginning of Fish Tails is particularly difficult as whole passages are repeated. Throughout this book there are mispellings, references to characters comments when those characters are not present, and unneeded repetition. The story does become more interesting and more like I would expect from Ms Tepper ,but it does not live up to her other books.

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Sabtu, 06 April 2013

[N982.Ebook] PDF Ebook The Black Maria (American Poets Continuum Series), by Aracelis Girmay

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The Black Maria (American Poets Continuum Series), by Aracelis Girmay

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The Black Maria (American Poets Continuum Series), by Aracelis Girmay

Praise for Aracelis Girmay:

"[Girmay's] every loss—she calls them estrangements—is a yearning for connection across time and place; her every fragment is a bulwark against ruin." —O, The Oprah Magazine

"In Aracelis Girmay we have a poet who collects, polishes, and shares stories with such brilliant invention, tenderness, and intellectual liveliness that it is understandable that we think of her as the blessed curator of our collective histories. There is in her art the vulnerability of one who lives inside of the stories that she gathers in this remarkable collection. Her poems set off alarms even as they transform the world she inhabits, showing us, in the process, exactly what she asks of Romare Bearden’s art: ‘…how not to // assign all blackness near the sea / a captivity.’ This is one of the many sweet contradictions in the black maria, which ‘is a black flag / wounding the pastoral.’ I am deeply thankful that we have a poet of her unique and singular talent writing today." —Kwame Dawes

Taking its name from the moon's dark plains, misidentified as seas by early astronomers, the black maria investigates African diasporic histories, the consequences of racism within American culture, and the question of human identity. Central to this project is a desire to recognize the lives of Eritrean refugees who have been made invisible by years of immigration crisis, refugee status, exile, and resulting statelessness. The recipient of a 2015 Whiting Award for Poetry, Girmay's newest collection elegizes and celebrates life, while wrestling with the humanistic notion of seeing beyond: seeing violence, seeing grace, and seeing each other better.

"to the sea"

great storage house, history
on which we rode, we touched
the brief pulse of your fluttering
pages, spelled with salt & life,
your rage, your indifference
your gentleness washing our feet,
all of you going on
whether or not we live,
to you we bring our carnations
yellow & pink, how they float
like bright sentences atop
your memory's dark hair

Aracelis Girmay is the author of three poetry collections, the black maria; Kingdom Animalia, which won the Isabella Gardner Award and was a finalist for the NBCC Award; and Teeth. The recipient of a 2015 Whiting Award, she has received grants and fellowships from the Jerome, Cave Canem, and Watson foundations, as well as Civitella Ranieri and the NEA. She currently teaches at Hampshire College's School for Interdisciplinary Arts and in Drew University's low residency MFA program. Originally from Santa Ana, California, she splits her time between New York and Amherst, Massachusetts.

  • Sales Rank: #74610 in Books
  • Published on: 2016-04-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .50" w x 5.90" l,
  • Binding: Paperback
  • 120 pages

Review
Publishers Weekly 2016 #1 in Poetry Top 10
A Publishers Weekly "Most Anticipated Book of Spring 2016"
An O, The Oprah Magazine 2016 "Gem of the Genre"
A Library Journal 2016 Poetry Top Pick
Aracelis Girmay, winner of a 2015 Whiting Award for Poetry
Winner of the 2016 Bess Hokin Prize

"[Girmay's] every loss—she calls them estrangements—is a yearning for connection across time and place; her every fragment is a bulwark against ruin." —O, The Oprah Magazine

"Crowned by an extraordinary long poem interweaving the childhood of astrophysicist Neil deGrasse Tyson . . . Aracelis Girmay's third book of poetry looks at the crimes committed against African Americans throughout history and now . . . These poems repeat themselves, reuse lines, feel anxious and scattershot, but there is beauty and imperative witness everywhere here.” —NPR Books

“Girmay, winner of a 2015 Whiting Award, crafts a moving collection of lyrical, image-thick poems that balance on the knife edge separating vulnerability and unapologetic strength. The lives of Eritrean refugees and immigrants serve as the collection’s thematic foundation, though Girmay also thoughtfully dissects and examines blights of America’s current sociopolitical climate, particularly police brutality and the murders of such young black women and men as Renisha McBride and Jonathan Ferrell . . . Girmay effortlessly slips between collective history and personal memory, tackling the subject of black pain without victimizing herself or exploiting the voices of the marginalized.” —Publishers Weekly, *Starred*

“Whiting Award winner Girmay recalls the larger African diaspora as she commemorates more than 20,000 people who have died sailing from North Africa to Europe in a bid for a better life . . . Using bold, sharply lyric language, she addresses the drowned as ‘you,’ encircling them in community and giving them a humanity and individuality death statistics belie. VERDICT: Beautiful, brilliant, and palpably angry; an important book all readers can appreciate.” —Library Journal, *Starred*

“Lunar maria, dark, basaltic plains on the moon’s surface, take their name from the Latin word for seas, identified as such by mistaken astronomers. This fascinating confusion fuels Girmay’s third poetry collection, which co-opts the sailing-obsessed tales of Odysseus, adopts African slave Abram Gannibal, ancestor of renowned Russian poet Alexander Pushkin, and testifies on behalf of the wrongfully accused Black Panther George Jackson, among many others. . . . astoundingly effective, [this] bright, ambitious work deserves several rereadings. A self-described ‘inheritor of Eritrean, Puerto Rican, and African American traditions,’ Girmay is a dazzling, wildly dynamic poet.” —Booklist

“Aracelis Girmay’s new poetry collection, the black maria—a haunting, blistering, vital examination of the African diaspora from 15th-century slave ships to Neil deGrasse Tyson—is a book of memories and seas . . . One cannot help but be reminded of Claudia Rankine’s Citizen: An American Lyric . . . maybe this ‘John Henryism’ is the memory Girmay brings out as she traverses the African continent, from the Congo under the Belgians to present-day Asmara, and back in time to Luam and Abram when black children were being abducted and sold as gifts. More than any other question, the black maria forces us to ask ourselves if anything has truly changed since then.” —Chicago Review of Books

"In Aracelis Girmay we have a poet who collects, polishes, and shares stories with such brilliant invention, tenderness, and intellectual liveliness that it is understandable that we think of her as the blessed curator of our collective histories. There is in her art the vulnerability of one who lives inside of the stories that she gathers in this remarkable collection. Her poems set off alarms even as they transform the world she inhabits, showing us, in the process, exactly what she asks of Romare Bearden’s art: ‘…how not to // assign all blackness near the sea / a captivity.’ This is one of the many sweet contradictions in the black maria, which ‘is a black flag / wounding the pastoral.’ I am deeply thankful that we have a poet of her unique and singular talent writing today." —Kwame Dawes

"[Girmay’s] project seems to be our deep and ongoing subjectivity, our vulnerability to history, to one another, to desire, and to the belief in something large and lasting that we might belong to. There’s empathy, play, and fearlessness here, and both formal and emotional range. The beauty of these poems is always married to a deep, implacable pang. Their consolation is always rooted in the unifying force of remembered loss.” —2015 Whiting Award Selection Committee

About the Author
Aracelis Girmay is the winner of a 2015 Whiting Award for Poetry. She is the author of three poetry collections: the black maria (BOA Editions, 2016); Kingdom Animalia (BOA Editions, 2011), which won the Isabella Gardner Poetry Award and was a finalist for the National Book Critics Circle Award; and Teeth (Curbstone, 2007). She is also the author/illustrator of the collage-based picture book changing, changing (Braziller, 2005). Most recently, Girmay's poetry and essays have been published in Granta, Black Renaissance Noire, and PEN America, among other places. She has received grants and fellowships from the Jerome, Cave Canem, and Watson foundations, as well as Civitella Ranieri and the NEA. She is on the faculty of Hampshire College’s School for Interdisciplinary Arts and Drew University’s low residency M.F.A. program. Originally from Santa Ana, California, she splits her time between New York and Amherst, Massachusetts.

Most helpful customer reviews

2 of 2 people found the following review helpful.
A stunning book. Ingenious and passionate and canny. ...
By Shane
A stunning book. Ingenious and passionate and canny. That Girmay is able to use two of poetry's most worn tropes, the sea and the moon, and imbue them with such vigor and freshness is a measure of just how strong this book is. Not to be missed.

See all 1 customer reviews...

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Senin, 01 April 2013

[I205.Ebook] Ebook Download Messianic Religious Zionism Confronts Israeli Territorial Compromises, by Motti Inbari

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Messianic Religious Zionism Confronts Israeli Territorial Compromises, by Motti Inbari

The Six Day War in 1967 profoundly influenced how an increasing number of religious Zionists saw Israeli victory as the manifestation of God's desire to redeem God's people. Thousands of religious Israelis joined the Gush Emunim movement in 1974 to create settlements in territories occupied in the war. However, over time, the Israeli government decided to return territory to Palestinian or Arab control. This was perceived among religious Zionist circles as a violation of God's order. The peak of this process came with the Disengagement Plan in 2005, in which Israel demolished all the settlements in the Gaza Strip and four settlements in the West Bank. This process raised difficult theological questions among religious Zionists: What supreme religious significance could be attributed to these events? Was the State of Israel no longer to be considered a divine tool for the redemption of the Jewish people? This book explores the internal mechanism applied by a group of religious Zionist rabbis in response to their profound disillusionment with the behavior of the state, reflected in an increase in religious radicalization due to the need to cope with the feelings of religious and messianic failure.

  • Sales Rank: #3364180 in Books
  • Published on: 2014-07-17
  • Released on: 2014-07-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .51" w x 6.14" l, .0 pounds
  • Binding: Paperback
  • 216 pages

Review
"The book deals with a fascinating chapter in modern Judaism and in the history of Israel and the modern Middle East. Inbari handles this potentially volatile topic masterfully. He provides excellent insights and maintains an even and balanced scholarly account at all times. I highly recommend it."
Yaakov Ariel, University of North Carolina, Chapel Hill

"In his detailed and systematic study, Motti Inbari uses the psychological mechanism of cognitive dissonance to explain how religious leaders try to comprehend an ever-changing world. With mastery of subject matter, detailed analysis, and clear writing, Inbari enables the reader to make sense of a variety of complex intellectual phenomena. This book should attract scholars interested the interaction between modern religion and politics, the path religious Zionism is headed, and the meaning of compromise for the West Bank Jewish settlers. It should also give pause for thought for those seeking a peaceful solution to the Israeli-Palestinian conflict."
Michael Feige, Ben-Gurion University of the Negev, Israel

"Motti Inbari's book is an insightful introduction into Messianic Religious Zionists' (MRZ) evolving worldviews as they relate to political negotiations over land compromises. Inbari is particularly insightful in his discussion of the changes in approach since the Oslo period in the 1990s ... [he] effectively synthesizes significant secondary sources with available primary sources to provide a stimulating and much-needed analysis of the changing attitudes of MRZ rabbis and followers toward violent responses to territorial compromises."
H-Judaic

"An extremely valuable book that should be read by anyone interested in the role of religious Zionism in Israel."
Politics, Religion and Ideology

About the Author
Mordechai ('Motti') Inbari is the author of Jewish Fundamentalism and the Temple Mount: Who Will Build the Third Temple?, which won the American-Israeli Cooperative Enterprise Best Publication Award in Israel Studies (2008) and the Ben Shemesh Best Dissertation Award for the Study of Zionism and the State of Israel (2007). His work has appeared in Israel Studies, Hebrew Union College Annual, Nova Religio, Modern Judaism, Journal of Church and State and Studies in Contemporary Jewry. Prior to his appointment at the University of North Carolina, Pembroke, he served as a Post-Doctoral Associate at the Schusterman Center for Israel Studies at Brandeis University.

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